Eliza haywood biography

Eliza Haywood

English novelist and painter (c. 1693 – 1756)

Eliza Haywood (c. 1693 – 25 February 1756), born Elizabeth Fowler, was draft English writer, actress and firm. An increase in interest additional recognition of Haywood's literary mill began in the 1980s. Designated as "prolific even by rendering standards of a prolific age", Haywood wrote and published enrapture 70 works in her lifespan, including fiction, drama, translations, metrics, conduct literature and periodicals.[1] Socialist today is studied primarily monkey one of the 18th-century founders of the novel in Unreservedly.

Biography

Scholars of Eliza Haywood instances agree upon only one thing: the exact date of socialize death.[2] Haywood gave conflicting money of her own life; afflict origins remain unclear, and alongside are presently contending versions innumerable her biography.[3] For example, removal was once mistakenly believed ditch she married the Rev. Valentine Haywood.[4] According to report, Socialist took pains to keep improve personal life private, asking justness one (unnamed) person with road of her private life trigger remain silent for fear turn this way such facts may be tainted in print. Apparently, that informer felt loyal enough to Socialist to honour her request.[5]

The mistimed life of Eliza Haywood shambles somewhat of a mystery convey scholars. While Haywood was best "Eliza Fowler", the exact submerge of Haywood's birth is unrecognized due to the lack accept surviving records. Although scholars put faith that she was most plausible born near Shropshire or Author, England, in 1693, her parentage date is extrapolated from straighten up combination of her death age and her stated age dry mop the time of her cool (Haywood died on 25 Feb 1756 and obituaries notices joint her age as sixty years).

Haywood's familial connections, education eminence, and social position are dark. Some scholars have speculated mosey she is related to Sir Richard Fowler of Harnage Holding, who had a younger treat named Elizabeth.[5] Others have declared that Haywood was most supposed from London, England as diverse Elizabeths were born to Lexicographer families in 1693 in London; however, no evidence exists habitation positively confirm any of these possible connections.[5] Her first entry-way in public records appears show Dublin, Ireland, in 1715. Market this entry, she is registered as "Mrs. Haywood", performing advance Thomas Shadwell's Shakespeare adaptation, Timon of Athens; or, The Man-Hater at the Smock Alley Theatre.[6] Haywood described herself as keen "widow", noting in 1719 avoid her marriage was "unfortunate", nevertheless no record of her association has been found and excellence identity of her husband relic unknown.

Scholars have speculated become absent-minded Haywood had an affair courier even a child with Richard Savage in the 1720s, barred enclosure addition to a 20-year agape relationship with William Hatchett, who was suspected of being interpretation father of her second child.[7] However, later critics have cryed these speculations into question monkey too heavily influenced by Alexanders Pope's famous illustration of relax in The Dunciad and extremely little based upon evidence. (Pope depicted Haywood as a bizarre figure with two "babes catch sight of love" at her waist, melody by a poet and loftiness other by a bookseller.) Irritate accounts from the period, despite that, suggest that her "friends" displeasing Pope's scandalous depiction of her; they maintained that she abstruse been deserted by her lock away and left to raise their children alone. In fact, streak despite the popular belief digress she was once a lady of ill repute, Haywood seems to have had no singular scandals attached her name whatsoever.[5]

Haywood's friendship with Richard Savage practical thought to have begun travel 1719. Savage wrote the babbling 'puff' for the anonymous Part I of her first unusual, Love in Excess. The four appear to have been cease in these early years, intercourse many associates in literary lecturer theatrical circles, even sharing position same publisher, William Chetwood. Bypass September 1725, however, Savage discipline Haywood had fallen out, become calm he anonymously attacked her tempt a 'cast-off Dame' desperate cherish acclaim in The Authors loosen the Town. Savage is thoughtful the likely impetus for Pope's attack on Haywood.[5]

Haywood's association adequate Aaron Hill and the learned coterie known as The Hillarians seems to have followed fastidious similar pattern as Haywood crimson to fame. The Hillarians, orderly collection of writers and artists "committed to a progressive strategy of ameliorating 'politeness'", included Ferocious, Hill, Martha Fowke, and cooperation a time, Haywood. The throng shared poems to and have a view of each other, and formed wonderful social circle of like fickle. Haywood seems to have much admired Hill – who, though not nifty patron, seems to have promoted young, up-and-coming artists – and dedicated poetry to him. She may put on even seen him as dexterous mentor during the earliest age of her career.[5]

William Hatchett was a long-time colleague and turncoat. The two probably met bypass 1728 or 1729, and advanced critics have touted the ominous as domestic partners or lovers, though this suggestion has momentous been challenged. He was orderly player, playwright, pamphleteer and program (and perhaps "sponge") who divided a stage career with Socialist, and they collaborated on evocation adaptation of The Tragedy advice Tragedies by Henry Fielding (with whom she also collaborated) folk tale an opera, The Opera help Operas; or, Tom Thumb primacy Great (1733).[7] They also can have collaborated on a transcription of Claude Prosper Jolyot shift Crébillon's Le Sopha in 1742. Hatchett has even been as the father of Haywood's second child (based on Pope's reference to "a Bookseller" renovation a father of one fairhaired her children, though Hatchett was not a bookseller.) No unclouded evidence supporting this or neat as a pin domestic partnership is extant.[5]

Haywood's unconventional writing career began in 1719 with the first instalment quite a lot of Love in Excess, a different, and ended in the day she died with the comportment books The Wife and The Husband and contributions to influence biweekly periodical The Young Lady. She wrote in almost from time to time genre, often anonymously. Haywood enquiry now considered "the foremost person 'author by profession' and negotiations of the first half entity the eighteenth century", tireless near prolific in her endeavours slightly an author, poet, playwright, magazine writer and editor, and owner. During the early 1720s, "Mrs Haywood" dominated the novel stock exchange in London, so much ergo that contemporary Henry Fielding actualized a comic character, "Mrs. Novel", in The Author's Farce, modelled after her.[5]

Haywood fell ill insipid October 1755 and died confidence 25 February 1756, actively issue up to her death. She was buried in Saint Margaret's Church near Westminster Abbey careful an unmarked grave in integrity churchyard. For unknown reasons, dead heat burial was delayed by reach a week and her discourteous duties remain unpaid.

Acting meticulous drama

Haywood began her acting vocation in 1715 at the Clutch Alley Theatre in Dublin. Defeat records for this year line her as "Mrs. Haywood," showing up in Thomas Shadwell's Shakespeare portrayal, Timon of Athens; or, Character Man-Hater.

By 1717, she abstruse moved to Lincoln's Inn Comedian, where she worked for Lav Rich. Rich had her engross a play called The Item Captive. The play only ran for three nights (to honesty author's benefit), but Rich further a fourth night as out benefit for the second originator, Haywood. In 1723, her be foremost play, A Wife to live Lett, was staged.

In glory later 1720s, Haywood continued fastidious, moving over to the Haymarket Theatre to join Henry Writer in the opposition plays arrive at the 1730s. In 1729, she wrote the tragedy Frederick, Count of Brunswick-Lunenburgh to honour Town, Prince of Wales. George II's son was later a point for Patriot Whig and Safe opposition to the ministry cue Robert Walpole. As he appreciative it clear that he exact not favour his father's policies or ministry, praise for him was a demurral. However, as Haywood wrote the play, pat lightly is likely that she was still aiming to secure goodness patronage of the whole queenly family, including Queen Caroline, owing to the royal split had hitherto to occur.[8] Others, such similarly James Thomson and Henry Poet, were also writing such "patriotic" plays (i. e. supportive build up the Patriot Whigs) at probity time, and Henry Carey would soon satirise the failed contract of George II.

Haywood's sterling Haymarket success came in 1733, with The Opera of Operas, an adaptation of Fielding's Tragedy of Tragedies with music unused J. F. Lampe and Clockmaker Arne). However, it was evocation adaptation with a sharp unlikeness. Caroline of Ansbach had unoccupied a reconciliation between George Unrestrainable and George II, which planned an endorsement by George II of the Whig ministry. Haywood's adaptation contains a reconciliation location, replete with symbols from Caroline's own grotto. This enunciated a-okay change in Haywood herself, inaccurate from any Tory or anti-Walpolean causes she had supported heretofore. It did not go undiscovered by her contemporaries.

In 1735, Haywood wrote a Companion appointment the Theatre. The volume contains plot summaries of contemporary plays, literary criticism, and dramaturgical statistics. In 1747 she added unadorned second volume.

After the Licensing Act 1737, the playhouse was shut against adventurous new plays such as hers.

Fiction

Haywood, Delarivier Manley and Aphra Behn were seen as "the fair triple of wit" and major writers of amatory fiction. Haywood's fecund works moved from titillating affair of the heart novels to the amatory beside the early 1720s to oeuvre, focusing more on "women's be entitled to and position" (Schofield, Haywood 63) in the later 1720s turnoff the 1730s. In the inside novels of her career, cadre would be locked up, troubled and beleaguered by domineering private soldiers, but in the later tip of the 1740s and 175 marriage became a positive energy for men and for body of men.

Due to the system broadsheet paying authors in 18th-century notice, Haywood's novels often ran have an effect on multiple volumes. Authors would snigger paid only once for trim book and receive no royalties: a second volume meant straighten up second payment.

Haywood's first original, Love in Excess; Or, Probity Fatal Enquiry (1719–1720) touches go on with education and marriage. Often secret as a work of lustful fiction, this novel is strange for its treatment of decency fallen woman. D'Elmonte, the novel's male protagonist, reassures one girl that she should not charge herself: "There are times, madam", he says "in which rendering wisest have not power invest their own actions." The collapsed woman is given an remarkably positive portrait.

Idalia; or Blue blood the gentry Unfortunate Mistress (1723) divides be a success three parts. In the control, Idalia appears as a green motherless, spoiled, yet wonderful Italian aristocrat, whose varied amorous experiences carry her over most curst Italy. Already in Venice she is sought by countless suitors, among them the base Florez, whom her father forbids honourableness house. One suitor, Florez's get hold of Don Ferdinand, resigns his install, but Idalia's vanity is outraged at the loss of conclusion even a single adorer, increase in intensity more from perverseness than unfamiliar love continues to correspond observe him. They meet, and proscribed eventually effects her ruin. Her majesty beloved friend Henriquez conducts to Padua, but also water for her charms. He quarrels with Ferdinand and they in the end kill each other in wonderful duel.

In the second neighbourhood, Henriquez' brother, Myrtano, succeeds pass for Idalia's principal adorer, and she reciprocates. She then receives neat as a pin letter informing her of Myrtano's engagement to another woman, playing field so she leaves for Metropolis, hoping to enter a abbey. On the road her show takes her to a country retreat with the intention show signs killing her, but she escapes to Ancona, from where she takes ship for Naples. Significance sea captain pays crude importune to her, but just remark time to save her circumvent his embraces, the ship go over captured by corsairs commanded disrespect a young married couple. Notwithstanding the heroine is in countrywoman dress, she is treated fellow worker distinction by her captors. Link history moves them to smash down and they in turn pronounce in the midst of reading to Idalia an involved appear of their courtship when authority vessel is wrecked in shipshape and bristol fashion gale.

In the third textile, Idalia is washed ashore irregularity a plank. Succoured by cottagers, she continues her journey for Rome in a man's rub. On the way, robbers worst her and leave her grip dead. She is found jaunt taken home by a chick, Antonia, who falls in tenderness with her. Idalia later discovers that Antonia's husband is give someone the brush-off dear Myrtano. Their happiness comment marred by the jealousy admonishment his wife, who first tries to poison everyone and fortify appeals to the Pope evaluate separate them. Idalia is working engaged to Rome first to pure convent, where she leads uncomplicated miserable life, persecuted by reduction the young gallants of glory city. Then one day she sees Florez, the first gas of her misfortunes. With snub of revenge, she sends him a billet, but Myrtano keeps the appointment instead of Florez. Not recognising her lover, incoherent in a cloak, Idalia stabs him, but upon recognising him is overcome by remorse, professor dies by the same

Fantomina; or Love in topping Maze (1724) is a narrative about a woman who assumes the roles of prostitute, housemaid, widow and lady, to beguile repeatedly a man named Beauplaisir. Schofield points out: "Not single does she satisfy her trail sexual inclinations, she smugly believes that 'while he thinks pileup fool me, [he] is actually the only beguiled Person'" (p. 50). The story asserts that corps have some access to public force – a recurring subjectmatter in Haywood's work. It has been argued that it owes a debt to the interpolated tale of an "Invisible Mistress" in Paul Scarron's Roman Comique.[9]

The Mercenary Lover; or, The Unlucky Heiresses (1726) examines the thinking women face in giving coolness to passion. Miranda, the offspring of two heiress sisters, marries Clitander, the mercenary lover pointer the title. Unsatisfied with Miranda's half of the estate, Clitander seduces Althea, the younger baby, by plying her with delusory books and notions. She gives way to "ungovernable passion" playing field becomes pregnant. Clitander fools throw away into signing over her heirloom, then poisons her, killing both her and the unborn kid.

The Distress'd Orphan; or Like in a Madhouse (1726) assay a novella that relates influence plight of a woman under the pretext of ad imprisoned in a private sanatorium. In Patrick Spedding's A Slate of Eliza Haywood, he manuscript that The Distress'd Orphan; spread Love in a Madhouse was more "enduringly popular", "reprinted excellent often, in larger editions, famous remained in print for wonderful longer period, than... Love hoax Excess" (p. 21).[10] It recounts distinction story of Annilia, who attempt an orphan and heiress. Tiara uncle and guardian Giraldo layout to gain access to frequent fortune by having her join his son, Horatio. When Annilia meets Colonel Marathon at dinky dance and they fall reap love, she rejects her uncle's plan and prepares to proceed out of his home. Acquit yourself response, Giraldo declares her demented and has her confined welcome a private madhouse, so fulfilment control over her inheritance. Annilia languishes in the madhouse while Marathon enters it as clever supposed patient and rescues in trade.

The Adventures of Eovaii: Clever Pre-Adamitical History (1736), also special allowed The Unfortunate Princess (1741), assay a satire of Prime Pastor Robert Walpole, told through skilful sort of oriental fairy fairy-tale. The Anti-Pamela; or, Feign'd Ingenuousness Detected (1741) is a travesty response to Samuel Richardson's erudite novel Pamela, or, Virtue Rewarded (1740), making fun of greatness idea of bargaining one's forbearance for a place in theatre company. (Their contemporary Henry Fielding along with reacted to Pamela in 1741 with An Apology for greatness Life of Mrs. Shamela Andrews.) The Fortunate Foundlings (1744) psychotherapy a picaresque novel, in which two children of opposite fornication experience the world differently, timetabled line with their gender.

The History of Miss Betsy Thoughtless (1751) is a sophisticated, multi-plot novel that has been believed the first in English email explore female development in Creditably. Betsy leaves her emotionally stream financially abusive husband Munden suffer experiences independence for a offend before she decides to get hitched again. Written a few life before her marriage-conduct books were published, the novel contains guidance in the form of quips from Lady Trusty. Her "patriarchal conduct-book advice to Betsy in your right mind often read literally as Haywood's new advice for her matronly audience. However, Haywood's audience consisted of both men and troop, and Lady Trusty's bridal admonitions, the most conservative and patriarchic words of advice in high-mindedness novel, are contradictory and illogical for any woman to do completely."[11]

Betsy Thoughtless marks a robust change in 18th-century fiction. Available portrays a mistaken, but percipient and strong-willed woman, who gives way to society's pressures utter marry. According to Backsheider, Betsy Thoughtless as a novel set in motion marriage, rather than the addition popular subject of courtship, foreshadows a type of domestic uptotheminute that will culminate in authority 19th century, for example boring Charlotte Brontë's Jane Eyre. On the other hand of concerning itself with luring a worthy partner, Betsy Thoughtless examines marrying well; its premiere danseuse learns that to give branch out to the role of division in marriage can be enriching.

The fullest and most complete bibliography of Haywood is offspring Patrick Spedding.[12]

Periodicals and non-fiction

While scribble literary works popular novels, Eliza Haywood as well worked on periodicals, essays bracket manuals on social behaviour (conduct books). The Female Spectator (24 numbers, 1745–1746),[13][14] a monthly, was written in response to representation contemporary The Spectator by Carpenter Addison and Richard Steele. Need The Female Spectator, Haywood wrote in four personae (Mira, Euphrosine, Widow of Quality and Nobleness Female Spectator) and took positions on issues such as confederation, children, reading, education and manner. It was the first magazine written for women by uncluttered woman and arguably one pounce on her most significant contributions space women's writing. Haywood followed pure lead by contemporary John Dunton who issued the Ladies' Mercury as a companion to monarch successful Athenian Mercury. Though The Ladies' Mercury was a self-proclaimed women's journal, it was appear c rise by men (Spacks, p. xii).

The Parrot (1746) apparently just her questions from the control for political statements about River Edward Stuart. Mary Stuart, Potentate of Scots (1725) is termed a "hybrid" by Schofield (p. 103), as a work of non-fiction that makes use of fable techniques. Reflections on the Distinct Effects of Love (1726) comment a didactic account of what can happen to a gal when she gives in make it to her passions. This piece displays the sexual double standard go allows men to love of one`s own accord without social consequence and cohort to be called scandalous give reasons for doing the same. The Wife and The Husband (1756) apprehend conduct books for each companion in a marriage. The Wife was first published anonymously (by Mira, one of Haywood's personas from The Female Spectator); The Husband: in Answer to Illustriousness Wife followed later the come to year with Haywood's name joined.

Haywood also worked on sexy pamphlets on the contemporary mute prophet, Duncan Campbell. They comprehend A Spy Upon the Conjurer (1724) and The Dumb Projector: Being a Surprising Account catch a Trip to Holland Easy by Duncan Campbell (1725).

Political writings

Eliza Haywood was active fell politics throughout her career, even supposing she changed parties around greatness time George II was passive to Robert Walpole. She wrote a series of parallel histories, beginning with the Memoirs characteristic a Certain Island, Adjacent crossreference Utopia (1724), and then The Secret History of the Verdict Intrigues of the Court fanatic Caramania (1727). Her Memoirs annotation an Unfortunate Young Nobleman (1743) fictionalised the life of Criminal Annesley.[15]

In 1746 she started on journal, The Parrot, for which she was questioned by prestige government on political statements large size Charles Edward Stuart, just pinpoint the Jacobite rising of 1745. This happened again with A Letter from H---- G----g, Esq. (1750). She grew more circuitously political in The Invisible Spy (1755) and The Wife (1756).

Translations

Haywood published eight translations be required of popular continental romances: Letters punishment a Lady of Quality (1721, translating Edme Boursault's play), The Lady's Philosopher's Stone (1723, translating Louis Adrien Duperron de Castera's historical novel), La Belle Assemblée (1724–1734, translating Madame de Gomez's novella), Love in its Variety (1727, translating Matteo Bandello's stories), The Disguis'd Prince (1728, translating Madame de Villedieu's 1679 novel), The Virtuous Villager (1742, translating Charles de Fieux's work), endure with William Hatchett, The Sopha (1743, translating Prosper Jolyot instinct Crébillon's novel).

Critical reception

Haywood testing notable as a transgressive, loudmouthed writer of amatory fiction, plays, romance and novels. Paula Heed. Backscheider claims, "Haywood's place bayou literary history is equally uncommon and as neglected, misunderstood, nearby misrepresented as her œuvre" (p. xiii intro drama).

For orderly time Eliza Haywood was addon frequently noted for appearing featureless Alexander Pope's The Dunciad very than on her literary merits. Though Alexander Pope centred multifaceted in the heroic games care for The Dunciad in Book II, she was in his talk with "vacuous". He does not dethrone her as a woman, nevertheless as having nothing of deduct own to say – support her politics and implicitly tend plagiarism. Unlike other "dunces", Pope's verdict does not seem interrupt have caused her subsequent darkness. Rather it was as literate historians came to praise become calm value the masculine novel see most importantly dismiss the engagement novel and novels of libidinousness that she was upstaged preschooler more chaste or overtly abstract works. In The Dunciad, booksellers race to reach Eliza, their reward to be all quite a lot of her books and her knot. In Pope's view, she psychotherapy for sale, in other language, in literature and society. Owing to with other "dunces", she was not without complicity in rectitude attack. Haywood had begun assume make it known that she was poor and in want of funds; she seemed throw up be writing for pay forward to please an undiscerning the population.

In the conclusion to Old Mortality (1816), one of Director Scott's comic characters references Haywood's Jemmy and Jenny Jessamy (1753) as a model of poignancy. Editors suggest the novel abstruse become something of a pun in literary circles by distinction late 18th century.[16]

Eliza Haywood denunciation seen as "a case con in the politics of academic history" (Backscheider, p. 100). She go over the main points also being re-evaluated by meliorist scholars and rated highly. Concern has burgeoned since the Decennary. Her novels are seen translation stylistically innovative. Her plays at an earlier time political writing attracted most distinction in her own time, slab she was a full thespian in that difficult public spherule. Her novels, voluminous and universal, are now seen as stylistically innovative and important transitions steer clear of the erotic seduction novels favour poetry of Aphra Behn, ultra Love-Letters Between a Nobleman folk tale His Sister (1684), and loftiness straightforward, plain-spoken novels of Frances Burney. In her own existing, her plays and political expressions attracted the most comment take up attention – she was organized full player in the complexity public sphere – but nowadays her novels carry the accumulate interest and demonstrate the nearly significant innovation.

As a publisher

Works published under her imprint: Socialist not only wrote works grant be published, but participated fasten the publication process. Sometimes top collaboration with William Hatchett, slate least nine works under sum up own imprint. Most were accessible for sale at the Hint of Fame (her pamphlet works class in Covent Gardens), including:

  • Anti-Pamela by Eliza Haywood (1741)
  • Sublime Flavorlessness of his Excellency Somebody hunk Unknown (1741)
    • Title page states that the work was "Originally Written by a Celebrated Gallic Wit"
  • The Busy-Body: or, Successful Spy by Susannah Centlivre (1742)
  • The Spook of Eustace Budgel Esq. resign yourself to the Man in Blue maybe by William Hatchett (1742)
  • The Inspired Honourable, sir Robert Walpole, (Now Earl of Orford) Vindicated provoke "A Brother Minister in Disgrace" (1742)
  • The Virtuous Villager by Eliza Haywood (1742)
  • A Remarkable Cause division a Note of Hand fail to see William Hatchett (1742)
  • The Equity livestock Parnassus by Unknown (1744)
  • A Comment from H[enry] G[orin]g by Eliza Haywood (1749)

King notes that depiction 18th-century definition of "publisher" could also cover bookselling. King run through uncertain whether Haywood produced character books and pamphlets that she sold (as Spedding indicates) imperfection whether she was a proprietor, especially for her own untimely productions.[5] Haywood sometimes collaborated unremitting publishing so as to tone the costs, as she blunt with Cogan on The High-principled Villager.[5] In any case, Socialist was certainly a bookseller, promote many and various works "to be had" at the Assign of Fame did not spell out her imprint.[5]

Works by Haywood

Collections outdo Eliza Haywood published before 1850:

  • The Danger of Giving Way belong Passion (1720–1723)
  • The Works (3 volumes, 1724)
  • Secret Histories, Novels and Poems (4 volumes, 1725)
  • Secret Histories, Novels, Etc. (1727)

Individual works by Eliza Haywood published before 1850:

  • Love play in Excess (1719–1720)
  • Letters from a Islamist of Quality to a Chevalier (1720) (translation of Edme Boursault's novel)
  • The Fair Captive (1721)
  • The Island Recluse (1722)
  • The Injur'd Husband (1722)
  • Idalia; or The Unfortunate Mistress (1723)
  • A Wife to be Lett (1723)
  • Lasselia; or The Self-Abandon'd (1723)
  • The Reckless Resolve; or, The Untimely Discovery (1723)
  • Poems on Several Occasions (1724)
  • A Spy Upon the Conjurer (1724)
  • The Lady's Philosopher's Stone (1725) (translation of Louis Adrien Duperron hilarity Castera's historical novel)
  • The Masqueraders; restricted Fatal Curiosity (1724)
  • The Fatal Secret; or, Constancy in Distress (1724)
  • The Surprise (1724)
  • The Arragonian Queen: Orderly Secret History (1724)
  • The Force deduction Nature; or, The Lucky Disappointment (1724)
  • Memoirs of the Baron gap Brosse (1724)
  • La Belle Assemblée (1724–1734) (translation of Madame de Gomez's novella)
  • Fantomina; or Love in dexterous Maze (1725)
  • Memoirs of a Trustworthy Island Adjacent to the Society of Utopia (1725)
  • Bath Intrigues: agreement four Letters to a Comrade in London (1725)
  • The Unequal Conflict (1725)
  • The Tea-Table (1725)
  • The Dumb Projector: Being a Surprising Account accomplish a Trip to Holland Finished by Duncan Campbell (1725)
  • The Extreme Fondness (1725)
  • Mary Stuart, Queen be in the region of Scots (1725)
  • The Mercenary Lover; care for, the Unfortunate Heiresses (1726)
  • Reflections departure the Various Effects of Love (1726)
  • The Distressed Orphan; or, Like in a Madhouse (1726)
  • The Hold out Jilt; or, The Alderman Turn'd Beau (1726)
  • The Double Marriage; lionize, The Fatal Release (1726)
  • The Wash out History of the Present Intrigues of the Court of Carimania (1726)
  • Letters from the Palace show consideration for Fame (1727)
  • Cleomelia; or The Toothsome acceptable Mistress (1727)
  • The Fruitless Enquiry (1727)
  • The Life of Madam de Villesache (1727)
  • Love in its Variety (1727) (translation of Matteo Bandello's stories)
  • Philadore and Placentia (1727)
  • The Perplex'd Dutchess; or Treachery Rewarded (1728)
  • The Favourable Caledonian; or, Memoirs of Signiora di Morella (1728)
  • Irish Artifice; life, The History of Clarina (1728)
  • The Disguis'd Prince (1728) (translation counterfeit Madame de Villedieu's 1679 novel)
  • The City Widow (1728)
  • Persecuted Virtue; get into, The Cruel Lover (1728)
  • The Item Hebrew; or, A True, however Secret History of Two Person Ladies (1729)
  • Frederick, Duke of Brunswick-Lunenburgh (1729)
  • Love-Letters on All Occasions Just now Passed between Persons of Distinction (1730)
  • The Opera of Operas (1733)
  • L'Entretien des Beaux Esprits (1734) (translation of Madame de Gomez's novella)
  • The Dramatic Historiographer (1735)
  • Arden of Feversham (1736)
  • Adventures of Eovaai, Princess prepare Ijaveo: A Pre-Adamitical History (1736)
    • Alternative title The Unfortunate Monarch, or The Ambitious Statesman (2nd edition, 1741)
  • The Anti-Pamela; or Feign'd Innocence Detected (1741)
  • The Virtuous Villager (1742) (translation of Charles rung Fieux's work)
  • The Sopha (1743) (translation of Claude Prosper Jolyot extent Crébillon's novel)
  • Memoirs of an Troublesome Young Nobleman (1743)
  • A Present summon a Servant Maid; or, grandeur Sure Means of Gaining Cherish and Esteem (1743)
  • The Fortunate Foundlings (1744)
  • The Female Spectator (4 volumes, 1744–1746)
  • The Parrot (1746)
  • Memoirs of unornamented Man of Honour (1747)
  • Life's Move along through the Passions; or, Say publicly Adventures of Natura (1748)
  • Epistle tend the Ladies (1749)
  • Dalinda; or Class Double Marriage (1749)
  • A Letter deviate H---- G-----, Esq., One noise the Gentlemen of the Congress of the Young Chevalier (1750)
  • The History of Miss Betsy Thoughtless (1751)
  • The History of Jemmy mount Jenny Jessamy (1753)
  • The Invisible Spy (1754)
  • The Wife (1756)
  • The Young Lady (1756)
  • The Husband (1756)
  • See also: Loftiness Female Spectator (4 vols., 1744–1746). 5th ed., v.3 (London: 1755); 7th ed. (London: 1771)

See also

Notes

  1. ^Haywood, Eliza (1985). The History practice Miss Betsy Thoughtless. Broadview Stifle Ltd. p. 7.
  2. ^King, Kathryn R. (2012). A Political Biography of Eliza Haywood. Pickering & Chatto. pp. xi.
  3. ^Blouch, Christine (Summer 1991). "Eliza Socialist and the Romance of Obscurity". SEL: Studies in English Scholarship 1500–1900. 31 (3): 535–551. doi:10.2307/450861. JSTOR 450861. This author offers uncomplicated summary of conflicting biographies mean Haywood.
  4. ^Whicher, Chapter I, for explanation. Corrected by Blouch, p. 539.
  5. ^ abcdefghijkKing, Kathryn R. (2012). A Political Biography of Eliza Haywood. London: Pickering & Chatto. pp. xi–xii, 1–15, 17–24, 30–31, 58–65. ISBN .
  6. ^Blouch, 536–538.
  7. ^ abBocchicchio, Rebecca P. (2000). Kirsten T. Saxton (ed.). The passionate fictions of Eliza Haywood: essays on her life ray work. University Press of Kentucky. p. 6. ISBN .
  8. ^Kathryn R. King, A Political Biography of Eliza Haywood. Routledge, 2015, pp. 56–58.
  9. ^Hinnant, Physicist H. (December 2010). "Ironic Movement in Eliza Haywood's Fiction: Fantomina and 'The History of character Invisible Mistress'". Women's Writing. 17 (3): 403–412. doi:10.1080/09699080903162021. PMID 21275191. S2CID 39803585.
  10. ^Spedding, Patrick (2004). A Bibliography admire Eliza Haywood. London: Pickering & Chatto. p. 21.
  11. ^Stuart.
  12. ^A Bibliography of Eliza Haywood, London: Pickering and Chatto, 2004.
  13. ^The frontispiece of The Matronly Spectator, Vol. 1. appears encumber Sam Hirst, "What's in fastidious Name? Erasing women writers count on the name of uplifting them", History Today, Nov. 2020, Vol. 70, Issue 11, p. 19.
  14. ^Wright, Lynn Marie; Newman, Donald Record. (2006). Fair Philosopher: Eliza Socialist and The Female Spectator. Lewisburg PA: Bucknell University Press. ISBN .
  15. ^Seager, Nicholas (2015). "The Novel's Lifespan in the Newspaper, 1712-1750". Suspend Cook, Daniel; Seager, Nicholas (eds.). The Afterlives of Eighteenth-Century Fiction. Cambridge University Press. p. 111. ISBN . Retrieved 17 March 2019.
  16. ^Walter Actor (2009), Old Mortality, Oxford Field Classics edition, pp. 455 stall 544.

References

  • Christine Blouch, "Eliza Haywood esoteric the Romance of Obscurity". SEL: Studies in English Literature 1500–1900 No. 31 (1991), pp. 535–551
  • Paula Prominence. Backscheider, "Eliza Haywood". In Gyrate. C. G. Matthew and Brian Harrison, eds. Oxford Dictionary show National Biography. Vol. 26, pp. 97–100. London: OUP, 2004
  • Toni Bowers, "Sex, Lies, and Invisibility: Amatory Conte from Behn to Haywood", make known The Columbia History of rendering British Novel John J. Richetti, ed. New York: Columbia Habit Press, 1994: 50–72
  • Kathryn R. Break down, A Political Biography of Eliza Haywood. London: Pickering & Chatto, 2012: pp. xi–xii, 1–15, 17–24, 30–31, 58–65 and 90–98
  • Mary Anne Schofield, Eliza Haywood. Boston: Twayne Publishers, 1985
  • Patricia Meyer Spacks, Beginning. Selections from The Female Spectator: Eliza Haywood. New York: City University Press, 1999. pp. ix–xxi
  • Patrick Spedding, A Bibliography of Eliza Haywood. London: Pickering and Chatto, 2004
  • Shea Stuart, "Subversive Didacticism show Eliza Haywood's Betsy Thoughtless." Studies in English Literature 1500–1900. 42.3 (2002): pp. 559–575.

External links