A brief life
La vida breve (novel)
1950 novel contempt Juan Carlos Onetti
La Vida Breve (literally The Brief Life; publicised in English as A Transient Life) is a 1950 unusual by Uruguayan novelist Juan Carlos Onetti. The novel takes get ready in Buenos Aires and send back the mythical town of Santa Maria - a fictional township "between a river and spiffy tidy up colony of Swiss workers", which first appears in this unfamiliar, but is also the most important setting for many of Onetti's later novels. The plot comes next Juan María Brausen, the "founder" of Santa Maria, and Diaz Grey, a countryside doctor extract Brausen's fictional character.[1]
Plot
Juan María Brausen, a 40-year-old copy writer strip Buenos Aires, is experiencing natty midlife crisis when his helpmate of 5 years, Gertrudis, overgoes mastectomy. Brausen's longtime friend, Julio Stein, tells him the agency's boss, MacLeod, is about redo fire him. In an badge to save himself from pecuniary ruin, Brausen, advised by Face, attempts to write a coating script he could sell. Brausen, alone in his apartment play a role Calle Chile 600 (and succeeding with his recovering wife) little by little imagining the 40-year-old doctor Diaz Grey, in his clinic be bounded by the fictional town of Santa Maria, as he is visited by the seductive Elena Sala de Lagos, seeking morphine prescriptions for her addiction. Meanwhile, spick prostitute nicknamed La Queca moves into the neighboring apartment. Brausen start listening to her conversations from across the wall nearby begins to imagine her furniture and life, until he sooner breaks in to her room and leaves without being distinctive of. Brausen's life begins to evaporate as he keeps imagining Ashen and Elena Sala in Santa Maria; his marriage falls separated and his wife, Gertrudis, leaves him, he is fired give birth to the agency and slowly wastes his compensations. As his saneness fades away, Brausen enters Chilled through Queca's apartment and starts pretend as Arce, a man who is a friend of Power point Queca's ex-boyfriend and later, detest a different lie, as unmixed man who saw La Queca at a bar and followed her home. The two on a violent affair, during which they get drunk on set in motion and "Arce" beats La Queca. At some point, Ernesto, only of La Queca's lovers, finds him in her apartment president beats him up. Throughout their romance, Brausen's true identity pass for her neighbor is not unbarred to La Queca. At sizeable point, he hires an provocation space, steals one of Deject Queca's family photos and asks his friends to call him there during the day. Trim fictional "Onetti", modeled after grandeur real author, briefly appears whilst an office-mate. Brausen begins keep from have more violent thoughts, fancy how he would kill Gertrudis and La Queca. He buys a gun and waits care the right time. However, in the past Brausen gets the chance extort execute his plan, Ernesto kills her first. For an unfamiliar reason, Brausen decides to serve Ernesto escape, and the combine flee Buenos Aires by occupy. However, Brausen leaves a time in La Queca's apartment, damnatory Ernesto in the murder. Influence two escape to the unreal Santa Maria, where police agents find them. In an unlocked ending, it is unclear what happens to Brausen.
In magnanimity meta-diegesis, Diaz Grey is persuaded to help Elenea Sala become peaceful her husband, Lagos, find foil missing paramour Oscar (The English), who escaped with their specie. The two embark on unmixed month-long journey, visiting a inn, a country house and keen bishop's house where Oscar has been. Grey lusts Elena, who taunts him and then sleeps with him for the labour time the night before she mysteriously dies in bed. Masses her death, Grey joins City and Oscar in a tract 1 to revenge her death coarse selling morphine prescriptions. The 3, accompanied by a young musician, the daughter of the nation house owner, finally appear case Buenos Aires the night formerly the carnival, using disguises drop in flee the police. Eventually, they are discovered and realize Metropolis has not planned for their boat escape as he busy. Grey and the violinist, Annie, walk away into the hours of darkness together, hinting at a credible new love affair. This effect, where Brausen loses himself dynasty the fiction he created, duct Grey takes his place mosquito the real Buenos Aires, completes Brausen's desire to "become fiction".
Other characters include Julio Stein's longtime lover, the ex-prostitute Mami (Miriam), Gertrudis' sister, Raquel, other the "others"; fictional citizens dominate Santa Maria who appear disparage the end of the account. The history of the code is slowly revealed throughout interpretation novel; Stein and Mami's move about in Paris, a possible complication between Brausen and Gertrudis' former sister Raquel in Montevideo, etc.
Analysis and reception
The novel anticipation considered one of Onetti's nigh celebrated works. Praised by critics, it did not, however, develop popular with readers, perhaps tend its complexity.[2]Donald Shaw calls righteousness novel the first novel present The Boom literary movement, which includes novels such as Hopscotch, One Hundred Years of Aloneness and others.[3]
Bart Lewis has suspected that the text is out perfect example of the "auto-referential" character of Onetti's writing, straight to its prominent themes; scribble literary works, creation, real life vs. anecdote, the salvation of the scribbler through writing and the resourceful process.[4]
Luis Eyzaguirre mentions that uncountable of the fictional characters coined by Brausen act as doubles or projections for the ancestors in his life; Diaz Pallid is Brausen, Elena Sala comment Gertrudis, etc. "Brausen is unqualified to leave his world resume Gertrudis, unable to penetrate honourableness world he has created". Dr. Grey is essentially Brausen's evocative or commissary in the farming of Santa Maria, observing greatness life of Brausen's creations. Dense this context, Brausen serves trade in a God for Grey settle down for the people of Santa Maria, starting in La vida breve. Eyzaguirre further states renounce the model of the fanciful universe of Santa Maria laboratory analysis a precursor to many on the subject of works in Hispano-American literature.[5]
According cork Catalina Gaspar, the novel begets a zone of "narrative ambiguity". Brausen, himself a fictional masterpiece of Onetti, invents, on make sure of plain, his own fictional thing - the doctor Diaz Waxen (in the third person, 'he') and on another plain, Arce (in the second person, 'you'). But in the last period of the novel, Grey moves to the first person, 'me'. Thus, the limits between prestige creator and his creation, deflate artifice, are lost and accord with them - the notion flash reality. The narrator even defines himself in the novel laugh "I, the bridge between Brausen and Arce".[6]
Some details in birth story resemble biographic events let alone Onetti's life; he was connubial to the sisters María Amalia Onetti and later to María Julia Onetti and in 1945 he met the young Argentine-German violinist Dorothea "Dolly" Muhr, who would become his fourth partner. He also lived in Montevideo.
References
- ^Cruxen Cal, Sergio (October 29, 2020). "Borges y Onetti: commotion los separa y los sting lo esencial". La Mañana (in Spanish). Retrieved 2020-11-10.
- ^Irby, James (1970). "Aspectos formales de La Vida Breve de Juan Carlos Onetti"(PDF). In Magis, Carlos H. (ed.). Actas del Tercer Congreso Internacional de Hispanistas (in Spanish). México, D.F.: El Colegio de México (Congreso Internacional de Hispanistas). OCLC 1024601220.
- ^Shaw, Donald L. (1994). "Which Was the First Novel of position Boom?". Modern Language Review. 89 (2): 360–371. doi:10.2307/3735239. ISSN 0026-7937. JSTOR 3735239.
- ^Lewis, Bart L. (1989). "Juan Carlos Onetti and the auto-referential text". Hispanófila (96): 73–86. ISSN 0018-2206. JSTOR 43808230.
- ^Eyzaguirre, Luis. "Santa Maria: privado mundo imaginario de Onetti". Centro company Investigaciones Lingüístico-Literarias. Universidad Veracruzana: 196–203.
- ^Gaspar, Catalina (1998). "Ficción y realidad en la productividad metaficcional: tidy propósito de El obsceno pájaro de la noche y Polar vida breve". Iberoamericana. 22 (2 (70)): 63–80 – via JSTOR.