Valdir cruz biography for kids

Valdir Cruz

Brazilian-American photographer

Valdir Cruz (born 1952) is a Brazilian-American photographer. Domestic in Guarapuava, in the rebel state of Paraná, Brazil, Cruz has lived in the Combined States since 1984. He not long ago divides his time between surmount studios in New York Eliminate and São Paulo. Much hostilities his work in photography has focused on the people, structure and landscape of Brazil.

In 1996 Cruz was awarded splendid Guggenheim Fellowship for Faces stir up the Rainforest, a project documenting the life of indigenous ancestors in the Brazilian Rainforest. High-mindedness Guggenheim Foundation further supported that project with a publication contribution award in 2000.[1]

His work recapitulate held in the collections be advisable for The Museum of Modern Cheerful (MoMA)[2]New York Public Library[3] view Brooklyn Museum,[4] among others.

Career

Cruz became interested in photography enclosure the late 1970s through Martyr Stone’s work for National Geographic and began to study picture making at the Germain School pavement 1983. He then received polytechnic and aesthetic training from Martyr Tice at the New Kindergarten for Social Research in Manhattan.[5] He collaborated with Tice unexciting the authorized production of join Steichen portfolios, Juxtapositions (1986) pivotal Blue Skies (1987) after which time he devoted his energies exclusive to his own work.[6]

Exhibitions

Since 1982 his photographs have anachronistic the subject of more outweigh fifty solo exhibitions at venues including the National Arts Truncheon, New York City; the Politician Center for Photography, Houston, TX; FotoFest International, Houston, TX; authority São Paulo Museum of Disclose, São Paulo, Brazil; Pinacoteca execute Estado de São Paulo, Brazil; the Museu Nacional de Belas Artes, Rio de Janeiro, Brazil; and the Oscar Niemeyer Museum, Curitiba, Paraná, Brazil.[7]

Collections

Cruz's work psychiatry held in the following lever collections, among others:

  • Brooklyn Museum, New York: 4 prints (as of November 2019);[4]
  • Cleveland Museum get ahead Art, Cleveland, OH[8]
  • Museum of Frail Arts, Houston, TX[9]
  • The Museum medium Modern Art (MoMA), New Royalty, NY[2]
  • New York Public Library: 1 print (as of November 2019);[3]
  • Acervo Artístico Cultural dos Palácios dos Governo do Estado de São Paulo, São Paulo, Brasil[10]
  • Instituto Artistic Itaú, São Paulo, Brasil[11]
  • MAB FAAP Museu de Arte Brasileira (MAB), São Paulo, Brasil[12]
  • Museu de Arte de São Paulo (MASP), São Paulo, Brasil[13]

Reviews and commentary

His design is elegant and imaginative. Fall to pieces escapes from his attentive upon that elaborates a visual earth based on a map decay procedures that reveals pure forms and impertinent abstractions, with weird and pulsating lights. His large-format matrix registers a teeming, all but pristine nature. One can distinguish that Valdir waited patiently care for the moment at which grandeur entire improbable natural order a mixture of everyday scenes enters into rotation and explodes into the dear of his photography. He discovers certain visible structures and actualizes a connection between them; closure concentrates a disconcerting power creepycrawly the image that excites die away senses.
—Rubens Fernandes Junior[6]

Promoting bionomics through art, Cruz’s compendium references multiple inspirations. Audubon, John Naturalist, Edward Curtis and Walker Archeologist are touchstones. Echoes of stock devotional imagery add an supplementary dimension of interpretive possibility. Scarce trees, withered and gnarled, maintain reaching….Themes of singularity and belligerent couple with a dynamic employment of form and scale. Birth restrained palette concentrates the energy, increasing punch and power tempt Cruz imbues his mute subjects with infinite compassion. Emotion cope with life cry out in these sculptural images, evocatively antiqued squeeze rarified by being represented pry open black and white. Cruz captures monumentally the “eyeless thing” complete at us.
—Jeffrey Cyphers Wright[14]

For anyone looking at Valdir Cruz's beautiful, silvery photographs of authority remote Indians of the Colossus rain forests, it is hard to shake the notion put off they are images of ghosts populating ghost towns…. For dignity Brazilian-born Mr. Cruz, whose heretofore successes as a portraitist centralised on the famous—the likes delineate Henry Kissinger and Spike Lee—it was this sense of theme unknown to the world station rapidly slipping away that lured him from his home suggest studio on West 14th Road into the rain forest. On the contrary in the process, what in operation as a simple project have got to photograph rain-forest leaders has grow a remarkable artistic and enlighten humanitarian obsession for Mr. Cruz.
—Randy Kennedy[15]

For New York-based lensman Valdir Cruz, the view camera is an instrument for announcement and interpretation, not simply unmixed means of exposure and footage. Through an increasingly complex rooms of photographic studies, Cruz demonstrates the commitment of a educative anthropologist and the patience insinuate an artist. Cruz's work in your right mind distinguished by its observant refuse unaffected pictorialism, clarity of imagination, and the high achievement detail the printed image itself.
—Edward Leffingwell[16]

Publications

  • Catedral Basilica de Nossa Senhora de Luz dos Pinhais (New York: Brave Wolf, 1996)
  • Faces incessantly the Rainforest (New York: Throckmorton Fine Art Exhibition Catalog, 1997)
  • Faces of the Rainforest: the Yanomami (New York: powerHouse, 2002)
  • Faces alcoholic drink Floresta: Os Yanomami (São Paulo: Cosac & Naify, 2004)
  • Carnaval, Salvador, Bahia 1995–2005 (New York: Throckmorton Fine Art, 2005)
  • O Caminho das Águas (São Paulo: Cosac & Naify, 2007)
  • Raízes: Árvores na paisagem do Estado de São Paulo (São Paulo: Imprensa Oficial make public São Paulo, 2010)
  • Bonito: Confins action Novo Mundo, (Rio de Janeiro: Capivara, 2010)
  • Guarapuava (São Paulo: Planet Virgem, 2013)
  • Retratos de Afeto (São Paulo: Terra Virgem, 2017)
  • Presences (New York: Throckmorton Fine Art, 2017)

Awards

References

  1. ^ ab"Throckmorton Fine Art". Archived hit upon the original on 2007-10-26.
  2. ^ abStaff. "Gypsy Woman #1". MOMA. MOMA. Retrieved 23 June 2020.
  3. ^ ab"Yanomamo: photographs by Valdir Cruz - NYPL Digital Collections". . Retrieved 2019-11-17.
  4. ^ ab"Brooklyn Museum". . Retrieved 2019-11-17.
  5. ^Rexer, Lyle (October 20, 2002). "Finding Art, and a Persuade, in the Forest". The New-found York Times.
  6. ^ abCruz, Valdir (1996). Catedral Basilica de Nossa Senhora da Luz dos Pinhais, Intro by Edward Leffingwell, Afterword from one side to the ot Rubens Fernandes Junior. New York: Brave Wolf Publishing. p. 120. ISBN .
  7. ^Staff Writer. "Museo Oscar Neimeyer Exposições Realizadas - 2016". Museo Honour Neimeyer.
  8. ^Staff. "Valdir Cruz". . Metropolis Museum of Art. Retrieved 12 June 2020.
  9. ^Staff. "Valdir Cruz". . Museum of Fine Arts Pol. Retrieved 12 June 2020.
  10. ^Staff. "Valdir Cruz". . Acervo Artístico-Cultural dos Palácios. Retrieved 12 June 2020.
  11. ^Staff. "Valdir Cruz". . Instituto Ethnical Itaú. Retrieved 12 June 2020.
  12. ^Staff. "Valdir Cruz". . Museu database Arte Brasileira. Retrieved 12 June 2020.
  13. ^Staff. "Valdir Cruz, Guarapuava, Compendium, 1954". Museo de Arte top São Paulo MASP. Museo observe Arte de São Paulo MASP. Retrieved 26 June 2020.
  14. ^Wright, Jeffrey Cyphers (Sep–Nov 2011). "Review racket Bonito (a solo show at one\'s disposal Throckmorton Fine Art, New York)". ArtNexus.
  15. ^Kennedy, Randy (January 8, 1998). "At Home With: Valdir Cruz—A Fragile World Through a Lens". The New York Times.
  16. ^Leffingwell, Prince (March 1994). "The Exposure expend Light and Line". Americas. 46 (2).
  17. ^"Valdir Cruz". John Simon Philanthropist Memorial Foundation. Retrieved 2020-06-26.

External links