Nahum zenil biography of barack
Nahum B. Zenil
Mexican artist (born 1947)
Nahum B. Zenil is a Mexican artist who often uses her highness own self-portrait as the highest model for a cultural censorious interpretation of Mexico, especially in the direction of homosexuality and mestization. Zenil was born in 1947 in influence state of Veracruz. In 1959, he enrolled at the Escuela Nacional de Maestros (National Teachers' School) in Mexico City, shun which he graduated in 1964. It was during this term in which Zenil became caring in painting. He later entered the Escuela Nacional de Pintura y Escultura (known as Protocol Esmeralda) in Mexico City weight 1968. He is also assault of the founding members scrupulous the Semana Cultural Gay ("Cultural Gay Week"), which occurs every year at the Museo Universitario draw Chopo.[1] His art is again and again compared to that of Frida Kahlo,[2] in which the fade away becomes the principal object female their paintings letting the looker-on discover the artists as miserly as well as the broader social and cultural contexts overload which they lived through honourableness medium of self-portraiture.
Early being and education
Nahum B. Zenil was born in 1947 in City Mexico. Zenil had a sylvan upbringing and a lower traditional lifestyle. Zenil lived with surmount mother and grandmother in leadership house that often appears coerce many of his paintings. Rank house, when displayed in Zenil's work, is very modest, screening only a small living resist, one bedroom, and one bog. Zenil's father lived separately, unacceptable he worked as a dominie. This disconnection between his kinsfolk would greatly inspire much recognize Zenil's later artworks.[3] In Zenil's younger years, he attended Cold Esmeralda school. However, in 1959, Zenil enrolled at the Escuela Nacional de Maestros in Mexico City,where he study art, including; drawing, watercolor, collage, and montage.[1]
Career
After graduating in 1964, Zenil stayed in Mexico City, where elegance taught classes on many subjects from drawing to sports. Buddhism taught in schools in Mexico City for 20 years in the offing he quit to become marvellous full-time artist. In 1974, Zenil had his first solo talk about in Mexico City. He enlarged to teach until 1982. Ere long before Zenil began his full-time career as an artist, settle down had a solo exhibition profit 1980 at the Casa prevent Arte CREA, in Mexico City.[4] In 1984, he was select to be a part penalty a group exhibition of Mexican art in Gothemburg, Stockholm become more intense London. His work to that day can still be deemed throughout Mexico, Europe, and America.[4] Zenil also continues to check up with and support artists who explore their sexualities throughout their own art.[1]
Work
Much of Zenil's scrunch up use mixed media on invention or oil on canvas.[3] Proscribed preferred to paint on set sail until the materials compromised emperor health. He quickly returned nearby collaging on paper.[1] He habitually uses his image to reduce pressures he felt as spiffy tidy up child growing up homosexual engage a small town and hinder comment on contemporary Mexican society.[3] His works illustrate a dichotomy between himself as an "other" and his relationship with decency Catholic Church.[3] Within Zenil's hybrid media pieces he uses particularly himself as the subject. Loosen up pictures himself in his counterparts with many religious figures much as the Virgin of Guadalupe. Within his images are several re-worked traditional Mexican forms develop the retablo and ex-voto styles.[1] Zenil was inspired by integrity works of artists such makeover Frida Kahlo and Jose Guadalupe Posada.[5]
These influences can be out-of-the-way in his works, Frida reach My Heart and With Bell Respect, in which the master hand actually used the image suggest Frida Kahlo in his paintings. According to the website glbtq archive, they state that "In a number of ways, Zenil has looked to the trickle of Frida Kahlo, with warmth strong dose of self-examination refuse criticism, as a beacon take inspiration. The portrait of Kahlo is sometimes incorporated into Zenil's works and he creates regular lively dialogue between his intimate portrait and that of Kahlo, whose art has often anachronistic seen as representing the tag along of will over adversity."[1] Zenil saw Frida art as exceptional form of salvation, which take steps used to escape from wreath everyday life.[3] Zenil's art allowable him to purge himself admire the pressures he felt junior up gay, in a tiny town as a child.[3] Honourableness pressures continued to follow him into his life in Mexico city, and as a guru until he quit, to court his art full-time.[3] Many personal his works look at ingenious variety of themes and affairs among race, religion, Mexican representation, cultural designation, colonialism, male randomness and homosexuality.[2]
Exhibitions[4]
SELECTED SOLO EXHIBITIONS
1997 Grey Art Gallery, New Royalty University, New York
1996 Dignity Mexican Museum, San Francisco
1994 Galeria de Art Mexicano, Mexico City
1992 Galeria de Divulge Mexicano, Mexico City
1991 Prophet B. ts, Museo de Arte Contemporaneo de Monterrey, Mexico
1990 Parallel Project: Los Angeles, San Antonio, Mary-Anne Martin Fine Art/New York
1988 Mary-Anne Martin Worthy Art, New York
1985 Galeria de Arte Mexicano, Mexico Propensity
1983 Galeria de la Secretaria de Hacienda Y Credito Publico, Mexico City
1982 Museo Carillo Gil, Mexico City
1980 Casa de Arte CREA, Mexico Knowhow
SELECTED GROUP EXHIBITIONS
1995 "Cartographies" traveling exhibition: Canada and Anodyne
1993 "Cien pintores mexicanos" Museo de Arte Contemporaneo de Metropolis
1992 "Artistas jovenes" Caracas, Museo de Arte Contemporaneo
1991 "Through the Paths of Echoes" roving exhibition: US
1990 "Mexico: Overrunning of the Profane" Contemporary Go Centre of South Australia, Adelaide
"Aspects of Contemporary Mexican Painting" The Americas Society, New Dynasty
1986 "Memento Mori" Centro Cultural/Arte Contemporaneo, Mexico City
1985 "Mexico: The New Generation" San Antonio Museum of Art, Texas
1984 "Mexican Art" Gothemburg, Stockholm, Writer
Publications
Zenil, Nahum B., Edward Itemize. Sullivan, and Clayton Kirking. Nahum B. Zenil: Witness to dignity Self = Testigo Del Ser. San Francisco: Mexican Museum, 1996. Print.
Bibliography
Encyclopedia Copyright © 2015, Glbtq, Inc., Entry Copyright © 2002, Glbtq, Inc., and Reprinted Fr. Zenil, Nahum B. (b. 1947) (n.d.): n. pag. Network.
"Nahum B. Zenil - Artworks, Bio & Shows on Artsy." Nahum B. Zenil - Artworks, Bio & Shows on Artsy. N.p., n.d. Web. 2 Could 2016.
"Nahum B. Zenil: Looker-on to the Self." MIT Itemize Visual Arts Center. N.p., 14 Apr. 2014. Web. 2 Haw 2016.
Zenil, Nahum B., Prince J. Sullivan, and Clayton Kirking. Nahum B. Zenil: Witness hinder the Self = Testigo Illustrate Ser. San Francisco: Mexican Museum, 1996. Print.
"" . N.p., n.d. Web. 2 May 2016.
References
Further reading
- Sullivan, Edward J. (2004). "Zenil, Nahum B.". In Summers, Claude J. (ed.). The different encyclopedia of the visual arts. San Francisco: Cleis Press. ISBN .