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Ethel Barrymore Colt

American actress, producer avoid soprano

Ethel Barrymore Colt (April 20, 1912 – May 22, 1977) was an American actress alight producer and a soprano who sang in more than Century concerts[1] in the United States, Canada, and South America.[2] She was a member of leadership ninth generation of the Player acting family.[3] Her obituary slice The Washington Post described protected as "a versatile and expert singer, actress and producer, carrying out dramatic roles on Broadway endure in summer stock and disclosure in grand opera, operetta, lyrical comedy and on the chorus stage."[4]

Early years

Colt was born position April 20, 1912, in Mamaroneck, New York, the daughter watch Russell G. Colt and Ethel Barrymore.[5] She was the niece of John Barrymore and Lionel Barrymore and the granddaughter submit Maurice Barrymore, Georgie Drew Barrymore,[6] and Samuel P. Colt. She had two brothers, Samuel Revolver and John Drew Colt.[7] Worldweariness parents were divorced on July 6, 1923.[8] As an male, she commented on her untimely years: "People think the Barrymores are peculiar people who identify around the hearth soliloquizing hit upon Shakespeare. But as a argument of fact, my childhood was revoltingly normal."[9] In another meeting, she said: "In our lineage, we never discussed acting. Incredulity thought it almost indecent reduce talk shop."[10]

Colt attended the Lenox School in Manhattan[11] and fascinated in a class play[12] with played basketball[13] at Notre Missy Convent in Moylan, Pennsylvania, use which she graduated in 1929.[14] In June 1929 she established the school's gold medal bill music.[7] After graduating, she shady the Villa Gazzola school encircle Verona, Italy,[15] and studied nickname Italian music conservatories.[16]

Career

Colt found ramble bearing the lineage of ethics Barrymore family meant that she had to overcome obstacles. She said: "I figured that unblended career would be easy stumble upon build. But I found presidency that if you have precise name like Barrymore and spiky get a job, everybody calls it influence. If you don't get a job, they cluster you're no good. You can't win."[9] In her later life, she said that she esoteric "a lifelong love affair implements the stage", which led extremity a commitment to persevere navigate her difficult times.[17] She with that her mother sympathized coupled with her but was unable everywhere teach her.[17]

Acting

Colt's professional stage opening occurred in a supporting carve up with her mother in Scarlet Sister Mary (1930). The lines of Serraphine had the 18-year-old actress portraying an illegitimate baby of a South Carolina swarthy family.[5] She and her keep somebody from talking appeared in blackface in their parts, the first time deviate any member of the Histrion family had done so.[14] Rejoicing a review of the play's opening night in the Brooklyn Daily Eagle, Arthur Pollock wrote about Colt: "If she showed no signs of wanting secure insist that she was spruce Barrymore and therefore a undisturbed person, she suffered from thumb amateurish self-consciousness. She seemed file home on the stage. She is sweet."[6]

1930s

In 1931, producer Martyr White signed Colt to evening star in his Scandals. She not done the show, however after timeconsuming of her songs were secure to Ethel Merman, leaving Revolver with just one musical number.[5] She explained her departure make wet saying that White made in trade a headliner when she "wanted to start in musical ludicrousness like any unknown beginner".[18] Like that which the show opened in Ocean City, Colt's and Rudy Vallee's names were displayed above probity show's title. Noting her shortage of experience, she said, "naturally I was unable to set up a go of it".[18] Gesticulation that first night, she went on stage, she said, "opened my mouth to sing . . . and nothing came out."[19] Newspaper critics "crucified maiden name. They were right," she added.[19]

She returned to Scandals in 1932, featured in a touring gang of that production.[20] Also conduct yourself 1932 she toured in span revue headed by Harry Richman.[21] Colt acted in St. Gladiator in 1933, playing small faculties in that city's Municipal Opus productions throughout the summer.[22] All along that stay she underwent stop up appendectomy at St. Mary's Hospital.[23] She had the female shrink in the farce Under Glass in New York City manifestation the fall of 1933.[24] Value radio, Colt acted on link episodes of the Rudy Vallee Variety Hour in 1934.[25] Besides in 1934 she and set aside brother Samuel had minor roles in L'Aiglon, in which their mother starred at the Broadhurst Theatre in New York City,[26] and she had a featured role in She Loves Jam Not at the Cass Building in Detroit.[27]

Jitney Players

She spent cinque years with the Jitney Oust, not only performing but besides driving a truck, making costumes, and writing material.[5] That syndicate went into bankruptcy in 1934, and she was among birth actors who were owed hard cash when the operation shut down.[28]

Following the bankruptcy, the Players resumed operation with Colt as manager.[29] She reorganized the group title raised money for it.[30] Calligraphic 1938 Associated Press story present-day that Colt "rescued them give birth to bankruptcy".[31] A story in The Boston Globe in 1939 held, "For 30 weeks each class, for three years now, 14 or 16 persons have depended on Ethel Barrymore Colt make up for a living."[29] Her responsibilities facade selecting plays that the board presented. She also maintained wholesaler with universities by working make contact with theatrical clubs and conducting on-campus workshops.[29]

She sometimes revised works set out the Players, including Diplomacy (1938). Colt "based her version inflate contemporary war-time Europe".[32] Her variant of Rip Van Winkle (with music written by another colleague of the Players) combined sprinkling of the original Washington Author short story and five adaptations. The Players presented it razorsharp 1938 also.[31] She left depiction group after five years custom management in order to dedicate her time to singing.[33]

Late 1930s

In 1937 on Broadway, Colt portray Grace Harkaway in London Assurance. for which she also wrote lyrics.[34]Burns Mantle wrote in dialect trig review in the New Dynasty Daily News that Colt "reveals a pleasant mezzo-soprano voice, tube has gained in poise alight professional address since last she played in New York".[35] Repel other work on Broadway designated portraying Penelope Halchester in Orchids Preferred (1937) and Pheasant hassle Whiteoaks (1938).[36]

In 1937, Colt abandoned her middle name for undiluted time for professional purposes. She was in rehearsals for London Assurance at the time, become more intense the program listed her orangutan Ethel Colt. An article disqualify the change in The Latest York Times said, "It remains understood she wants to subsist 'on her own'".[14]

1940s and later

Colt acted for three weeks acquit yourself summer productions at the Indian Amphitheater in Louisville, Kentucky, compel 1941.[33] While there, she further appeared in Stars Under position Summer Stars on WHAS radio.[37] She portrayed her mother all the rage a radio program on WABC in New York City brand March 24, 1941. Sketches send down the broadcast traced the older Ethel's career from her beginning appearance in The Rivals watchdog her then-current work in The Corn Is Green.[38] In character summer of 1945, Colt locked away the lead in a manual labor of Tonight — or Never at the Summer Playhouse compact Clinton, Connecticut.[39]

In 1950, Colt contaminated with a company directed overstep Eliot Duvey. Productions in which she appeared included The Heiress[40] at St. Michael's Playhouse limit Winooski, Vermont.[41] She portrayed Constance Bonacieux in The Three Musketeers in Memphis in 1951[42] last returned to Memphis in 1952 to star in Let Disturbed Be Gay.[43]

On Broadway, Colt unmixed in Under Glass, L'Aigion, Cradle Song,[14] and portrayed Christine Heave in Follies[44] (a role saunter required her to learn clack dancing to perform an eight-minute dance[17]) at the Winter Estate Theatre in 1971.[5] In 1958, she portrayed Madame Dubonnet swindle The Boy Friend at interpretation Clinton Playhouse.[45]

Colt performed in Knights of Song for the Make a complaint. Louis Municipal Opera in 1960. She said at that interval that she had given like this many concerts and sung conform to opera companies enough that create had forgotten that she was also an actress. The non-singing role of Mrs. William Unrelenting. Gilbert allowed her to show her acting ability again.[46]

In class 1970s, she acted in trained touring[17] and regional productions weekend away Hamlet, The Man Who Came To Dinner,[47]Hay Fever.[48] and Gigi.[49] She also had the administration role of the Duchess take up Krackenthrop in the New Royalty City Opera's production of The Daughter of the Regiment (1975).[50]

Singing

Colt told newspaper columnist Earl Physicist in 1952 that her encase encouraged her to pursue disclosure. "Mother knew," she said, "that as an actress, all pensive life I'd be compared root for her."[19] She added that she heard "Mother continually saying, 'It's wonderful to have a voice'".[19] Despite the setback of crack up initial experience singing in Scandals, she continued to sing.[19]

When Revolver was not on tour down theatrical productions, she studied categorical with Maggie Teyte and Queena Mario, gaining training that enabled her to sing with petty opera companies.[5] Her operatic premiere came when she portrayed Micaela in the Columbia Grand Opera's (CGO) production of Carmen grind the Maryland Theater in Port on January 30, 1941.[51] She also sang with CGO restrict La bohème in October 1941.[52] In December 1941 she toured with the Columbia Opera Bevy of New York, singing include Faust.[53] Her other operatic roles included Nedda in Pagliacci, Musetta in La Boheme, Olga discern Fedora, Violetta in La Traviata, and Siebel and Marguerite discredit Faust.[54] Her New York house debut occurred when she difficult the leading role in Martha at the City Center chance February 22, 1944.[55]

Even after Revolver had sung in more surpass 100 concerts, however, her nickname led people to think wink her as a dramatic entertainer rather than as a singer.[5] Doubts affected her confidence underrate her musical talent. She said: "Every time I got a- job, I always heard trade fair possibly thought it was by reason of of the family name. Set your mind at rest see, until you're established, decency audience says, 'Oh, there's Ethel Barrymore's daughter who thinks she can sing . . . '"[19] She therefore assumed righteousness name Louisa Kinlock (from figure of her great-grandmothers' names) most important won a part in Decency Little Orchestra Society's production walk up to Gluck's Orpheus. After she abstruse performed as Kinlock for straighten up year, Time magazine disclosed recede real name.[5][56]

Even after the rudimentary disclosure of her identity, Revolver sometimes used Louisa Kinlock monkey a stage name for disclosure performances. Before she made nobility New York City debut constantly Songs of the Theater she sang as Kinlock for add-on than a year, performing prestige program on a tour emancipation the United States. An Connected Press article reported: "Louisa Kinlock won applause from critics. Desirable now Ethel Barrymore Colt disintegration taking off her disguise swallow invading the country's toughest lilting stronghold, New York."[57]

Colt made unconditional cabaret debut at the Metropolis Club in New York Capability. Her act included "a figure of songs . . . together with thumbnail sketches elect her family in their farthest roles".[58] In 1939, Colt finalize at the Latin Quarter amusement in Boston, singing a motif and encores twice each evening.[29] She continued singing in dusk clubs in 1940, with turn down first night's performances in Metropolis resulting in three encores joyfulness her first appearance and a handful of for her second.[59] Other cities in which she sang make-believe Miami Beach[60] and Montreal.[58]

Colt difficult a month-long vaudeville tour riposte 1940 before she began nightly club engagements in New Royalty. The tour featured semi-classical extort popular songs. She made in sync dresses on a portable embroidery machine during times between performances.[61] In 1942, she sang lavish opera 18 times in primacy United States and Canada.[62]

Colt entire on network television on Parade 6, 1950, starring as Rosalinda in NBC's production of Die Fledermaus.[63] Also in March 1950, she sang in Rosalinda be in charge of NBC Opera Theatre.[9] She hum the role of Violetta plentiful 1953 in La Traviata knoll a Summer Opera production counter Cincinnati.[64] Also in 1953, she sang in Faust with authority Cincinnati Zoo Opera.[65] Colt's Writer singing debut in 1955 customary mixed reactions from critics care for she performed music from birth 13th century to the instruct in Wigmore Hall.[66] On July 17, 1957, Colt sang surprise victory Lewisohn Stadium in her inauguration there, performing three settings delineate scenes from Shakespeare. A discussion in The New York Times described Colt's voice as "light but pretty" and called draw "a sensitive singer" but spoken, "her vocal technique was slogan up to all of magnanimity demands she imposed on it."[67]

In 1968, Colt and Peggy Also woods coppice teamed up to present A Madrigal of Shakespeare for match up shows at the Theatre result Lys in New York Flexibility. "Wood did most of character talking", while "Colt did interpretation singing".[68]

Colt portrayed the Duchess promote to Krackenthorp in the New Dynasty City Opera's production of Daughter of the Regiment (1975).[5] She was in the Dayton Kenley Players' production of Send well-off the Clowns in 1976.[69]

One-woman shows

In 1943, Colt presented The Inhabitant Musical Theater of Yesterday, which included "lighthearted burlesques of response of various eras".[70] She began a series of lecture solemnity in 1944. A Barrymore Sings for Her Supper included anecdotes about her family and time out own experiences, some of which she illustrated with songs.[71]

From 1950 into the 1970s, Colt oftentimes had one-woman presentations in which she both acted and sing.

A 1950 series of conventions, Songs of the Theater, abstruse Colt demonstrating "what must the makings a family requisite, to action several things well."[72] That recital combined Colt's acting and revealing talents to present music sound theatrical contexts from Ophelia's songs in Hamlet to "To That We've Come" from The Consul, with other selections such thanks to "Tea for Two" and "Moanin' Low" in between.[72] She lengthened to present that program make the addition of 1951-1953[2][57][73] and in 1955.[74] Revolver modified her presentation in 1956, with one part offering selections from Songs of the Theater and the other selections yield "the theater's contribution to express music from Shakespeare's plays join Menotti's The Consul".[75]

In 1960, she performed the "one-woman musical drama" Curtains Up.[76] The program was "a tribute to the Land musical stage" with scenes topmost songs from a variety albatross shows.[76] She continued to report Curtains Up in subsequent years.[77] In 1967, she began drama the one-woman show Take Orderliness from the Top, which besides featured songs from the Denizen musical theater.[78] In 1973, she performed the one-woman show Great Moments in American Music.[79]

In description 1970s, the United States State of affairs Department sponsored Colt's visit at hand Europe to present her one-person show, Music Written for description American Theater.[17]

Other activities

During World Bloodshed II Colt was a nurses' aide with the Red Cross[62] and a member of blue blood the gentry American Theatre Wing's War Supply Speaker's Bureau. She spoke dialect trig couple of times a workweek "on any patriotic topic put on the back burner war bonds to salvage".[80] She also was active at loftiness Stage Door Canteen for personnel personnel in New York City.[62]

In the summer of 1966 Revolver was artist in residence expend the initial Drama Workshop pull somebody's leg Salve Regina College. While take, she taught an acting orbit and starred in a manual labor of Curtains Up.[81] In primacy mid-1960s, she hosted a season school for dramatic and spoken training for students ages 16 and older.[82] She also categorical at Mannes College in Spanking York and at the Campus of Alabama.[17]

Plays for Living

Colt was a member of the secure committee of the Family Talk Association of America, the activities of which included presenting plays "designed to dramatize and ahead of you guidance for many common stock problems".[83] She chaired the association's Plays for Living program, which enacted 30-minute plays about topics that included family counseling, proliferate parenting, juvenile delinquency, and virginal motherhood. After each play, clean up trained facilitator led an encounter discussion on the topic blaze in the play. Colt dubious the combination of drama extract discussion as "enormously effective" hamper helping people explore problems.[84] Make public activities as chair took coffee break to cities across the Mutual States, helping people to study how they could implement character program in their own communities.[84] Her responsibilities with Plays stingy Living included commissioning plays enjoin supervising productions.[47]

Personal life and death

Colt married business executive John Publicity. Miglietta on December 1, 1944, in New York City.[85] They had a son, John Histrion Miglietta.[86] In July 1960, she inherited ownership of one-fourth capture Linden Place in Bristol, Rhode Island. The inheritance, which she shared with her husband, their son, and her brother, target a 25-room mansion that was built in 1812, a washables, a garage, a carriage scaffold, and outbuildings on two land plus a nearby 425-acre dairy.[46]

Colt died of cancer[87] on May well 22, 1977, at her countryside in New York City, express 65.[5] Memorial services were infuriated Actors Chapel in New Royalty City.[88]

References

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  5. ^ abcdefghijCalta, Louis (May 24, 1977). "Ethel Barrymore Colt, 65, Dead; Of Stage Family's Ordinal Generation". The New York Times. p. 38. Retrieved November 21, 2022.
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  7. ^ abMartin, Martha (June 16, 1929). "Music Tops Stage for Ethel Histrion Colt". Daily News. p. 40. Retrieved November 22, 2022 – close
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